Recent advancements in AI technology for content generation are changing the dynamics of control over the creation of artefacts between humans and machines more profoundly than other technological tools used by artists in their practice thus far. Emerging generative AI models can be a helpful assistant to creators, as they can be a source of inspiration and offload the most repetitive and monotonous aspects of the creative process. Yet, they might also diminish the enjoyment that users derive from other, more engaging parts of the process. In this talk, Caterina will share her research on two dimensions of co-creativity between humans and machines: embodiment and agency. She will question how embodiment affects perceptions of creativity in artistic experiences, to then conclude by introducing her ongoing research, which aims to enable users to customise the trade-off between agency and automation in collaborative creative processes with technology.

Bio

Caterina Moruzzi is a Chancellor’s Fellow in Design Informatics in the School of Design, University of Edinburgh. Her research is at the intersection between the philosophy of art, history and philosophy of human and artificial creativity, and the philosophy of AI. Her insights on art practices and the art sector come from her background as a classically trained pianist, while she deepened her expertise in philosophy of art during her Ph.D. at the University of Nottingham (2018). In her recent projects, she collaborates with international academic institutions, artists, and technological companies in projects aimed at investigating the impact of AI in the creative sector.

Running Order

16.00 – Welcome by Lynne Craig

16.10 – Caterina Moruzzi

16.40 – Q&A

17.00 – End

Limited seats at Inspace are available, please book tickets in advance.

* Please note that this webinar will be recorded *